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(FORMAT: This is an Ebook, delivered to your email address in PDF Format.)

The book includes:

-Over 100 pages of new connections & shocking patterns regarding the impact of specific Nakshatras on the art world throughout the centuries.

-145 graphs exploring 1,200 top artists (a combined survey); 350 performing artists; 315 visual artists; 280 musical artists; 270 literary artists. Included are graphs exploring the prominence (strongest and weakest placements and everything in between) for each planet in each House, Zodiac sign, and nakshatra.

-A full chapter devoted to one honorable mention nakshatra (not included in the video series) that was the top Sun for artists, tied for the third highest Moon, and took other key titles.

-Exploring one nakshatra (not included in the video series) that did very well in the Visual Arts

-Exploring one nakshatra (not included in the video series) that did very well in the Performing Arts

-Exploring two nakshatras (not included in the video series) that did very well in the Literary Arts

-Exploring two nakshatras (not included in the video series) that did very well in the Musical Arts.

-Contemplations on specific Chakras (energy centers) that one can be oriented into to succeed in a particular art branch, based on these research findings.

-Contemplations on another power placement as well as the “least present” planetary energies in the art field, and what this means about the strengths and mindset of that planet. 

-Full transcripts of my three videos in this series exploring Shatabhisha, Purva Phalguni, Purva Ashada, and Swati for your reference and review. These chapters including additional information on these nakshatras that was not included in the video series.

-Recommendations on spiritual measures to take to improve your own creativity, based on your desired art field, impact, or the obstacles to creativity you notice with yourself.

The Astrology of Artistic Creativity: An Astro Research Study of 1,200 Artists

$18.00Price
  • This EBOOK is COPYRIGHT © 2021 All rights reserved. No part of this publication may be reproduced or transmitted in any form by any means, electronic (sharing, forwarding, etc.), mechanical, photocopying, recording, or otherwise, without the prior written permission of the author.

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